1970s design trends making a comeback: reimagined, redesigned or retired?

Breeze blocks, dark timber, rattan and bold wallpaper: four trends from the 1970s and what they've become in Australian design in 2026.

Think burnt orange, mustard yellow, dark timber and patterns that didn't know when to stop. The 1970s weren't exactly known for playing it safe, and subtlety wasn't always part of the brief. Colour was embraced without hesitation, timber covered entire rooms and texture was never in short supply.

And yet, 50 years later, some of those once-dated design choices are making a comeback, just not quite as we remember them.

Familiar materials and styles are finding new life in contemporary Australian architecture and interiors, reimagined through new materials, finishes and applications. Here are four 1970s design trends making a comeback, the products giving them a second chance, and where they might find a place in your next project. Every product featured is available to Architects & Designers in Australia.

1. From breeze blocks to contemporary screening

From breeze blocks to contemporary screeningImage: Left: 1970s breeze block corridor. Right: ROBERTA by Riva Ceramica courtyard screening. Credit: @oranduu Pexels and Riva Ceramica supplied.

Breeze blocks were a familiar sight across 1970s Australian homes, appearing in front fences, patios and balconies. Their distinctive geometric patterns made them a feature in their own right, while their open design offered privacy without completely closing off outdoor spaces. They were a natural fit for the era's love of outdoor living.

Today, screening has evolved from a practical boundary into an intentional part of a building's architectural expression. Screens can frame views, filter light and cast shifting patterns of shadow, shaping how a building connects with its surroundings. Rather than simply dividing spaces, they can become a defining element of the design.

ROBERTA by Riva Ceramica brings this enduring feature into contemporary architecture. Supplied by Melbourne-based Riva Ceramica and designed by Inma Bermúdez, it is an extruded, handmade terracotta piece made for screening indoors and out. Its geometric pattern introduces character and visual detail while drawing on a familiar element of Australian residential design.

The breeze block grew up. Are we reinventing the breeze block, or simply rediscovering what made it work in the first place?

2. From dark timber panelling to refined timber finishes 

From dark timber panelling to refined timber finishes
Image: Left: 1970s timber-panelled interior. Right: Euro Creative by Verve Veneer bedroom feature wall. Credit: @van-anh-nguyen Pexels and Verve Veneer supplied.

The 1970s didn't just like timber. They committed to it. Dark timber panelling stretched across walls, ceilings and cabinetry, creating interiors that felt warm, grounded and full of character. Paired with earthy colour palettes and heavy furnishings, it could make a room feel cosy, but sometimes enclosed.

Today, timber is still valued for its natural character, but the approach is often more deliberate. Rather than covering every surface, designers use it to create contrast, highlight architectural details and bring depth to cleaner, more minimal spaces. Variations in tone, grain and finish allow timber to take on a different role in each setting.

Euro Creative by Verve Veneer takes timber beyond a flat surface. The range of European timber veneer panels is embossed under very high pressure to create a permanent, three-dimensional pattern, while keeping the grain and natural character of real timber in focus. The finish itself becomes part of the architectural expression.

Timber never left. We just learnt that an entire room doesn't need to look like a sauna.

How much timber is too much? Has contemporary design finally found the right balance between warmth and restraint?

03. From rattan & cane to contemporary bamboo

From rattan & cane to contemporary bamboo
Image: Left: 1970s cane-back dining chairs. Right: woven wall linings in a contemporary lounge, House of Bamboo Crafted Series. Credit: credit @pramodtiwari Pexels and Felix Mooneeram for House of Bamboo.

Natural textures were a defining feature of interior design during the seventies. Rattan chairs, cane furniture and woven screens brought an unmistakable sense of the outdoors inside, adding warmth and texture to homes, restaurants and living spaces. Often paired with dark timber and earthy colours, these materials created relaxed, tactile interiors that felt connected to nature.

Today, natural materials remain popular, but they're being used in ways that go beyond the furniture and decorative details of the 1970s. Bamboo offers another way to bring natural texture into contemporary architecture, with its distinctive grain and woven finishes lending themselves to everything from feature walls to privacy screening. It can introduce pattern and visual interest without relying on bold colours or elaborate detailing, allowing the material itself to become part of the design.

House of Bamboo's Crafted Series brings rattan, woven bamboo and reed into contemporary architectural applications. It is a fitting link to the decade: the company says it has supplied handwoven rattan cane webbing for more than 50 years. Varied patterns and woven finishes introduce rhythm, depth and visual interest, turning wall linings and privacy screening into features that contribute to the overall design.

Natural textures never really went out of style. We just found new ways to use them. Are natural materials the finishing touch, or the starting point for your design?

04. From Floral wallpaper to custom wallcoverings

From Floral wallpaper to custom wallcoveringsImage: Left: 1970s patterned wallpaper hallway. Right: DreamScape botanical custom wallcovering. Credit: @jiajia Pexels and DreamScape® Special Effects

In the 1970s, wallpaper wasn't designed to blend into the background. Oversized florals, psychedelic patterns and bold geometric prints brought colour and personality to interiors, often covering entire rooms in repeating designs.

Fast-forward 50 years, and wallcoverings have evolved far beyond repeating patterns. Custom imagery, large-scale graphics and tactile finishes allow designers to create focal points, establish a mood or reinforce the identity of a space. In hospitality and commercial interiors, a wall can become an opportunity to express a brand, create a sense of place or give an otherwise understated space a defining feature.

DreamScape, available in Australia exclusively through Ricky Richards, brings this approach into both commercial and residential interiors by letting designers print custom imagery onto the wallcovering itself. That opens up possibilities beyond a catalogue pattern, from oversized artwork to imagery that reflects a venue's location, purpose or brand. At W Sydney in Darling Harbour, Bowler James Brindley's interior concept used digitally printed DreamScape wallcoverings in the hotel's corridors, in bold colours drawn from Australian flora.

Wallpaper used to cover the room. Today, it can define it. Where could you make the walls the main event in your next project?

What this means for your next project

Each of these revivals asks the same thing of Architects & Designers: judge the material on performance and suitability, not just nostalgia. Three questions are worth raising with suppliers early.

  • Can I see a sample? Handmade terracotta and embossed veneer vary from piece to piece, so see the real thing before committing a screen or feature wall. Verve Veneer, for example, provides samples to Australian architects, design studios and joiners.

  • What sits behind the natural material? Ask for certification and maintenance guidance. House of Bamboo's rattan and woven bamboo panels carry a Global GreenTag product health certificate.

  • Does it meet fire requirements for this building? Wallcoverings and timber linings in commercial interiors need fire hazard test data that matches the National Construction Code requirements for the building. Ask for it at concept stage, not at tender.

So, would you bring them back?

Fifty years on, it seems the 1970s weren't entirely wrong. Bold wallcoverings, dark timber, breeze blocks and woven textures all have something to offer contemporary design. The difference lies in how we use them.

Some have been reimagined through new finishes and applications, while others have kept their original character and found a new purpose. What once felt dated can become distinctive again when approached with fresh eyes.

And that's the interesting thing about design: inspiration doesn't always come from what's new. Sometimes, it's about looking at familiar materials differently.

So, which 1970s trend would you bring back, and which one should stay in the past? We'd love to hear your take.

Curious what other materials, finishes and products are finding their place in contemporary design? Book a free online Product Update with The Arc Agency to explore what's new, revisit familiar favourites and discover what could work for your next project.

Frequently asked questions

Which 1970s design trends are making a comeback?

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Breeze blocks, dark timber, rattan and cane, and bold wallcoverings are four 1970s design trends making a comeback in Australian architecture and interiors in 2026. The difference is in how they are used. Breeze blocks have become architectural screening, timber is applied more selectively, woven materials have moved from furniture to wall linings, and wallpaper has become custom, project-specific imagery.

Are breeze blocks coming back into fashion?

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Yes, breeze blocks are back in contemporary Australian architecture, mostly as decorative screening that filters light and gives privacy without closing a space off. Today's versions go beyond the concrete blocks of the 1970s. ROBERTA by Riva Ceramica, for example, is an extruded handmade terracotta piece designed for screening indoors and outdoors.

Is dark timber making a comeback?

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Yes, dark timber is regaining attention, but designers now use it selectively rather than across every wall and ceiling. It tends to appear in joinery, cabinetry, feature panelling and architectural details, often against lighter surfaces and restrained colour palettes. Textured products such as embossed timber veneer panels let the grain become a feature without overwhelming the room.

How can bamboo be used in interior design?

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Bamboo can be used in interiors as wall linings, feature walls and privacy screening, not just furniture and accessories. Woven bamboo, rattan and reed panels add texture, pattern and warmth without relying on bold colour or elaborate detailing. House of Bamboo's Crafted Series is one range available in Australia designed for these architectural applications.

Can custom wallcoverings be used in any interior?

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Custom wallcoverings can be used in most interiors, including homes, hotels, workplaces, retail and education spaces, provided the product suits the setting. They can carry bespoke imagery, reinforce a brand or create a focal point instead of a standard repeating pattern. Before specifying, check durability, cleaning requirements and fire performance against the National Construction Code requirements for that building.

 

Last updated: 11 November 2026